Photo session of Mylene Farmer for the single Maman a tort .
The first photo shoot was made in 1983 long before the release of the 45 rpm. John Frost had met Mylène who was then a model and had photographed her for a possible book. Laurent Boutonnat and Mylène, seduced by these shots, used one of them for the cover of Mylène’s first 45 rpm released in its first version in March 1984. A second photo session with John Frost was organized in 1984 for the release of the second version of the 45 Tours during the summer of 1984 (with a new cover).
Tag Archives: #MyleneFarmerPhotos
MYLENE FARMER California filming by Marianne Rosenstiehl
Mylene Farmer worked with Rosenstiehl since very beginning of her musical career and there are many precious early Mylene shots thanks to this collaboration. California filming is the last time Marianne officially worked with Mylene. The series of photos is simply incredible. It shows so many angles of Mylene – it is beyond words. So enjoy!
A history of one photo – Mylene Farmer and Francis Lalanne
To start off the story I want to tell you today, let me offer you a quote from the interview Elsa Trillat gave to the Fanzine Mylène Farmer Magazine in 2004. Photographer, she worked for the weekly Paris Match from 1980 to 1994. She currently works for Prisma Presse We are in July. Mylène asks meContinue reading “A history of one photo – Mylene Farmer and Francis Lalanne”
A History of one photo – Mylene Farmer and Lisa Gautier
My dear fan friends and readers, today to continue my rubric “History of one photo” let me scratch the surface a bit and talk about Mylene’s family member – Lisa Gautier.
MYLENE FARMER AND ELLEN VON UNWERTH
My dear friends, as I continue my coverage of the photographers Mylene has worked, Ellen Von Unwerth is definitely the one whose work you have noticed from just browsing an internet. The reason is most likely a slight shock and at the same time your mouth is probably salivating as your heart skips the beat… somewhere between the mental confusion and the feast for the senses…It is so sexually charged and so unfiltered in the basic desire mixed with the heightened sense of visual aesthetics – it is all together rebellious, honest and almost explosive in its powerful delivery.
L’AMOUR AU TEMPS DU SIDA…
L’amour au temps du sida…
Son rôle d’artiste consistant seulement à communiquer des émotions. « Que mon cour lâche» parait chez Polydor le 16 novembre 1992, en premier et seul extrait de la compilation Dance Remixes.